Eaglethorpe Buxton and the Sorceress: The Ideal Magic

Appendix I: Wherein I present the complete play “The Ideal Magic” for your appreciation and enjoyment.

The Ideal Magic

A Play in One Act

By Eaglethorpe Buxton

Presented here in its entirety:

 

Characters:

Myolaena Maetar, Court Magician of Aerithraine

King Justin, King of Aerithraine

Queen Beatrix, Queen of Aerithraine

Sir Thomas, Knight of Aerithraine

Sir David, Knight of Aerithraine

Sir Reginald, Knight of Aerithraine

Britomart, Lady Knight

Prissus Draco Noventus, Possibly a dragon

Phoebe, Queen’s Lady in Waiting

Krabbi, Apple Seller

Luna, Serving Wench

Bud, Flower Seller

Mack, Fishmonger

Penny, Cutpurse

Waiting Women, Chorus

Knights’ Girls, Chorus

Citizens

 

 

 

(In front of Aerithraine Castle. Present are Krabbi, Luna, Bud, Mack, and citizens.)

 

Krabbi:

Apples! Apples! Get your apples here!

 

Mack:

Fish! Fish for Sale! Fresh Fish!

 

Bud:

Petunias! Carnations! Red, red roses!

 

Krabbi:

We are the vendors who sell in the marketplace,

 

Mack:

Here in the city, the jewel of the world,

 

Bud:

We do our best to put on the best place,

 

Krabbi:

Here in the city known as Illustria,

 

Mack:

Where fortunes are made and banners unfurled.

 

Bud:

I peddle my flowers to all with a spare coin,

 

Krabbi:

I sell my apples to young and to old,

 

Mack:

I sell my fish for a silver or gold coin,

 

Bud:

He’ll gladly take a brass penny,

 

Krabbi:

His fish are a week old.

 

Mack:

We’re growing rich in the market, rich and quite fat,

 

Bud:

The people are thronging along the city streets,

 

Krabbi:

No one goes hungry, can you imagine that?

 

Mack:

I love Illustria, the capital of Aerithraine,

 

Bud:

It’s a marvelous city where everyone eats.

 

(Enter Penny)

 

Penny:

(Aside) Not everyone eats, Merchant. For every fat street vender there are four hungry brats with no silver or gold, or no brass penny neither. There are those of us who beg in the streets and there are those of us who skim the sewers. Then there are those of us who take what we can…. (picks pocket) Pardon me. I am off to reap what the merchants have sown. (Exit)

 

Krabbi:

Apples for Sale! Nice Apples! Not a worm in sight!

 

Mack:

I could use some worms. Fish are gettin’ so they don’t bite on corncobs no more.

 

Krabbi:

Here, help yourself. I’ve worms a plenty. The whole crop this year is wormy.

 

Mack.

That’s a good lad. Are you ready to sup, Krabbi. They’ve a mutton stew at the Angry Rooster for three pence.

 

Krabbi:

I’m for it, Mack. (Exit Krabbi and Mack. Enter Myolaena.)

 

Enter Myolaena.

 

Myolaena:

(Aside) It’s a lovely day in Illustria, the jewel of Aerithtraine, nay the very jewel of all Celestria. The people are happy. The kingdom is prosperous. The king sits well upon his throne…

 

Luna:

I’m just a serving wench out for some fresh air,

I’ve spent all the night in the tavern down yon’,

It’s such a delight to sit here in the fresh air,

No fighting with pipe fumes from dusk until dawn,

 

I’m just a serving wench out in the morning air,

My world is the tavern, the rogues, and the ale,

I somehow can’t see why the world is so bright,

It makes my life seem somehow oh so pale,

 

I’m just a serving wench, but I am so much more,

I sing and I dance and I play a mean lyre,

If a kind man could find my heart’s door,

I would gather his hearthstones and light his fire.

 

Myolaena:

(Aside) They young maid is lonely. She needs someone. (Wiggles her finger at Bud).

 

Bud:

(To Luna) A flour for you, Luna. No charge.

 

Luna:

Thank you. It is a pretty thing, isn’t it?

 

Myolaena:

Ah,yes. Love is the ideal magic. But the lass isn’t saying what she truly feels. (Wiggles her finger at Luna)

 

Luna:

Oh you sweet thing! (Jumps on Bud and kisses him) I love you Bud! Take me away and let’s be wed.

 

Myolaena:

There you see magic. But it is a small thing for me. I am Myolaena Maetar, the court magician– sorceress thaumatageur, prestidigitator, diviner, seer, mystic– I am spellcaster, mage, conjurer, and necromancer. I am all that.

 

I am she who keeps the kingdom running well. I am she who keeps King Justin on his throne. I bring prosperity and fair weather. I am all that.

 

I can read minds! I can shape creations of matter and energy. I can brew potions of love or hate or death. I can let you fly through the air, or stew in your own juices. I can summon up the wise men of all the ages, or the most horrifying monsters. I am all that… and a bag of chips.

 

I should be openly acknowledged as the mighty ruler I am. I should be Queen. But though I am not, I have cast my spells and laid my plots. I am like the spider in the center of a vast web. And I will devour my prey, after my own fashion.

 

(Exit Luna and Bud. Enter the Waiting Women. They step forward to deliver their lines as a chorus)

 

Wait’ Women:

We are three maids who wait on the Queen,

She’s the sweetest sovereign the world has yet seen,

Though she has one pain that many speak of,

The King and the Queen have never known love.

 

We wait and we pray for we know our duty,

We must take care of our majestic beauty,

This duty is clear and our faith is too true,

But until true love comes there is nothing to do.

 

The Queen hails from Goth, a land far away,

But we lover her so, and wish her to stay,

The people adore her, as do her sons,

Of riches and wealth, you know she has tons,

 

If only the king would wake up and take notice,

He’d see that beside him sits a true Venus,

Though none can say where angels have been,

Angels are nothing when they’re next to our Queen.

 

(Exit Waiting Women. Enter Phoebe)

 

Phoebe:

Queen Beatrix calls for you, Sorceress.

 

Myolaena:

Am I the Queen’s serving woman, that she calls for me thus? Am I the Queen’s lacky?

 

Phoebe:

You are the Queen’s subject and are at her command.

 

Myolaena:

I am the Sorceress Supreme! I could change that woman into a newt.

 

Phoebe:

The Queen is protected by powerful magics and cannot be so affected.

 

Myolaena:

True. But you are not. (Phoebe looks scared and exits quickly.)

 

The wench is correct. I cannot simply eliminate the Queen. But what if the King’s eye should wander in my direction? Can one refuse a King? Nay! I have laid plots and spells. Now I go to answer the wretched Queen. (Exits)

 

(Enter Knights’ Girls)

 

Knights’ Girl 1:

(Dreamily) Did you see Sir Reginald? He is to die for!

 

Knights’ Girl 2:

(Dreamily) He touched my arm when he shoved me out of the way.

 

Knights’ Girl 3:

How about Sir David?

 

Knights’ Girl 1:

Just leave me alone with him and a can opener!

 

Knights’ Girl 2:

Keep dreaming girl. He likes me better.

 

Knights’ Girl 1:

He likes me more!

 

Knights’ Girl 3:

Well, he likes me almost as much as he likes himself.

 

Girls 1&2:

Really?

 

(Knights’ Girls step forward to deliver their lines as a chorus.)

 

Knights’ Girls:

We are the girls who follow the knights,

We hear all their adventures and watch all their fights,

The are dreamy, all dressed in their shiny steel armor,

Just watching them makes our hearts feel much warmer.

 

Sir Thomas is sweet, but stupid it’s true,

Sir David is boring, but he’s handsome too,

Sir Reginald touches every girl’s heart,

The one we can’t stand is that Britomart.

 

Where does she get off being a knight,

For a girl to wear armor, it just isn’t right.

 

(Exit Knights’ Girls)

(Enter Sir Thomas and Sir David)

 

David:

Protecting the King is our primary duty.   Protecting the King is what we became knights for.

 

Thomas:

Yup.

 

David:

Why, even if we were five minutes near death ourselves, we should Rise Up and protect the King.

 

Thomas:

Yup.

 

David:

Still, if a dragon were in the area, it would be duty as well to slay it.

 

Thomas:

Yup.

 

David:

Dragons are nasty fiends, you know. Have you studied them?

 

Thomas:

Nope.

 

David: I made a comprehensive study of them with Sir Drake and the Weapons Academy. They are wily creatures–more frightening that the most horrible ogre– stronger than the greatest giant– smarter than most sages. They are the ultimate foe. And if I am ever so fortunate to see a dragon, I will quickly eliminate the wyrm.

 

Thomas:

Worm?

 

David:

Yes, all the great authorities refer to the beasts as wyrms. It is from the root word wyrd, in the ancient tongue of scholars.

 

Thomas:

Okay.

 

(Enter Myolaena)

 

Myolaena

(Aside) Here you see two foolish knights who think their swords keep this nation state strong. If they were to meet a real dragon, they would find themselves petrified. He wouldn’t need to lift a claw or a wing. He wouldn’t need to breath fire. His very aura could drive them away crying like babies, or compel them to do anything at all.

 

The first is a great braggart and thinks he knows far more than he does. If I had a gold crown for each time he made a fool of himself, I should buy the kingdom. The other is such a dullard. He once locked himself in him own suit of armor.

 

(Enter Sir Reginald)

 

Reginald:

Sir David!

 

David:

Hail Sir Reginald, knight of the Black Shield.

 

Reginald:

Don’t hail me! I come to challenge you! You accused me of having uncertain ancestry.

 

David:

Tut, tut, fellow. I merely said that you were not as noble in blood as I.

 

Reginald:

I can trace my ancestry back fourteen generations, to Tiberian the Black King!

(Reginald attacks. They fight back and forth across the stage.)

 

David: Still, I can trace my ancestry back to the grandparents of Adam and Eve.

(They fight more.)

 

Reginald:

Your mother was an orphan scullery maid, and your father was my father’s squire.

 

David:

Tut, tut, fellow. You mistake me for someone else.

(They continue to fight. Reginald strikes a glancing blow. David falls.)

 

Myolaena:

(Aside) Oh, no. I cannot let this bragging oaf be killed. The king might find a captain of the guards who actually knows what is going on.

(To Reginald) Pain.

 

Reginald:

Oh! I am slain! I go for a leach!

(Exits)

 

David:

(Standing up) I am the victor!

 

Myolaena:

(Aside) He is a pin-head.

 

David:

My honor is vindicated!

 

Myolaena:

(Aside) His idiocy is proved. That other Spam in a can will be fine, but it will be some time before he decides to challenge Sir Full-of-himself to a duel again.

 

(Exit Thomas and David. Enter Krabbi, Mack, and Bud. Myolaena steps to the side of the stage.)

 

Mack:

Fish for Sale. Fresh fish!

 

Krabbi:

Apples! Bushel a pence!

 

(Enter Penny. She walks up to Mack and slaps him on the shoulder in a friendly way.)

 

Penny:

Hello, good fishmonger! (Steals Mack’s purse) It is a lovely day today.

 

Mack:

Hello friend. (Exits, unknowing.)

 

Penny:

(Opens up purse and takes out a coin) I’ll have one of your fine apples, vendor. Keep the change. (Steals Krabbi’s purse.)

 

Krabbi:

Thank you citizen. (Exits)

 

(Enter David and Thomas)

 

Penny:

I do think I shall have a carnation for my lapel. Here you go good fellow. (Hands Bud a coin and steals his purse.)

 

Thomas:

What? Here! (Grabs Penny)

 

David:

What a piece of knavery we have here!

 

Thomas:

A thief.

 

Bud:

Why, she’s stolen my purse!

 

David:

(Searching Penny) Looks as though the thief has more than one.

 

Bud:

Why she’s stolen my two purses!

 

David:

Here you go, vendor. One. Two. It is lucky for you that we came along when we did.

 

Bud:

It certainly is. Very lucky indeed.   (Exits, pleased)

 

David:

And one purse for His Majesty’s soldiers. (Pockets the other purse.)

 

(Enter Justin and Beatrix)

 

King:

Sir David? Sir Thomas? What have we here?
David:

My partner and I have uncovered an errant piece of knavery. Her we have a little thief.

 

Thomas:

Yup.

 

King:

Sorceress! Can we allow such crime to run rampant in our streets?

 

Myolaena:

(Shrugs)

 

King:

You must weave some magics to protect the honest folk.

 

Myolaena:

(Sighs) I do what I can, Majesty.

(Aside) If I got rid of all the dishonest people, he’d have no guardsmen at all.

 

King:

Well, Sir David. You must carry out my orders and execute the sentence. For thievery in Illustria, we… What is it we do again?

 

Queen:

You must cut something off, Dear.

 

King:

Yes, I know that. But what? Is it the right hand or the left hand?

 

Queen:

Perhaps a foot, Dear.

 

Penny:

(Aside) I like this not!

 

King:

Foot! Foot! Perhaps in your father’s backward kingdom! Not here! Foot! Why ever did I wed such a dullard?

 

David:

To prevent recurrence of the crime, it should be the head, Majesty.

 

King:

Take her hence, and cut off… oh, cut off whatever you please. (Exits)

 

Penny:

(To the Queen) Majesty! Mercy, please!

 

Queen:

Of course, Dear. (To David) Make it a nice clean cut. And don’t leave a mess. (Exits)

 

David:

We hear our charge and will obey.

 

Thomas:

Yup.

 

David:

What shall we cut off?

 

Penny:

Please Sir Knight! Can’t we come to an understanding?

 

David:

Save your breath girl, for we are the King’s men.

 

Myo:

(Aside) They are the King’s fools, the King’s lapdogs, the King’s drips.

 

Thomas:

Yup.

 

David:

What shall we cut off? Her right hand?

 

Thomas:

Hair!

 

David:

Perhaps both legs?

 

Thomas:

Hair!

 

David:

I have always been partial to cutting off the nose. It spites the face, you know.

 

Thomas:

Hair!

 

Myolaena:

(Aside) He’s not the sharpest sword in the armory, is he?

 

David:

We shall split the difference, partner. Off with her head.

 

Thomas:

Okay.

 

Myolaena:

(Waving hands) Time stop. (David, Thomas, and Penny freeze.) Perhaps here we have a tool for my design, a cog for my wheel, a fly for my web. Thank heavens for metaphor!

 

(Myolaena snaps her fingers and Penny unfreezes.)

 

Penny:

Who are you?

 

Myolaena:

I am your savior. I am your friend. I will deliver you from certain death.

 

Penny:

Thank you, Mistress.

 

Myolaena:

In exchange, you will do a thing for me.

 

Penny:

What can I do? Steal something?

 

Myolaena:

Perhaps you can do just that. I have brewed this potion. One drop will bring forth the greatest amore– love, devotion, and kind affection. With it, you will steal the King’s heart for me. You will sneak into the castle and pour this dram upon the King’s head as he sleeps. He will fall horribly in love with the first woman he sees wearing a golden locket, as indeed I will be wearing.

 

Penny:

I know not what I should do,

But one thing’s sure, I am through,

No matter which way that I turn,

My lot’s beheading or a slow burn.

 

To turn on the King is treason, true,

But you don’t know HER, like I do,

There’s nothing worse than magic ladies,

Not scary giants, not burning Hades.

 

What a fix my deeds have wrought,

Oh what a prize my sins have bought,

I sought with guile to fetch my bread,

So they want to part me from my head.

 

Oh wretched me, a pretty child,

Whose way went out a little wild,

I can’t escape to foreign lands,

So I do as she commands.

 

I will do as you instruct. (Exits)

 

Myolaena:

And when you poor this liquid on the King, he will have you killed. And I will have no witnesses to my designs, and nothing these buffoons could ever uncover.

 

(Myolaena exits. David and Thomas unfreeze.)

 

Thomas:

What?
David:

I was just saying that I have a mind to go find a dragon and kill it.

 

(Enter Priss)

 

Priss:

Did I hear someone mention dragonslaying?

 

David:

Yes, citizen.

 

Priss:

Aren’t you afraid? Dragons are over two hundred feet long. They can fly. They can breath fire and cast magic spells. They can shoot beams of energy from their eyes.

 

David:

I can see that you know much of dragons, friend. What is your name?

 

Priss:

Prissus Draco Noventus Augustus, but my friends all call me Priss.

 

David:

Well, Priss. Did you know dragons can use magic to take on human form?

 

Priss:

(Incredulous) Really? Then how can you tell they are dragons?

 

David:

It’s not easy. They have coppery complexions, not unlike yourself. But unlike you Priss, they have very long names.

 

Priss:

I see. Are they dangerous in human form?

 

David:

Quite. And they walk among the cities to study men so that they may trick them. But we are way too smart to be fooled by a dragon.

 

Thomas:

Yup.

 

Priss:

Oh, I can see that. Would you mind if I tagged along to see the dragon?

 

David:

Sure! Come along! (Exit David and Priss)

 

(Enter Knights’ Girls who step forward and deliver their lines as a chorus.)

 

Knights’ Girls:

They hunt for a dragon, and we say OH MY!

Some fellow among them might possibly die,

Dragons are scary and can make one dead,

Then there’d be one less bachelor to wed.

Nothing good comes from hunting dragons,

These boys should stick to baseball and red wagons.

 

(Exit Knights’ Girls. Enter Britomart, who confronts Sir Thomas.)

 

Britomart:

Halt Knight!

 

Thomas:

Okay.

 

Britomart:

I am Britomart, Lady Knight. I am cursed to challenge all the knights in Celestria until I am defeated.

 

Thomas:

Okay. (They fight)

 

Britomart:

Alas, you are doomed, Knight. You see I am destined to slay every foe I face until I meet the simplest man in the realm. (They continue to fight.)

 

Thomas:

Okay. (He strikes and she falls.) Goodbye. (Thomas exits.)

 

Britomart:

But Wait!

 

(Steps forward and speaks to the sky.)

Oh, great guardians above,

Can this thing I feel be love,

I’ve been defeated by his sword,

But his face has struck a chord,

Of love within this sad, sad breast,

I now of men have found the best!

 

(Exit Britomart)

 

(Enter the Queen)

 

Queen:

Alas! Why is it that I was not married to a man who could love me? I have been a dutiful daughter and a dutiful wife. I have born two strong young Princes to be heirs to my husband. All I desire in life is love, and love is the one thing I do not have.

 

(Folds her hands in prayer)

I ask the sky and stars above,

Why is it I cannot have love,

Though many years we two are wed,

He does not care if I am dead,

A cold and wintery life is this,

If never falls a wedded bliss,

If he shall never know love true,

Then I forever shall be blue.

 

(Enter Phoebe)

 

Phoebe:

Your Majesty. Your royal father has sent you a gift.

 

Queen:

What is it?

 

Phoebe:

This royal locket. It was forged high in the mountains by the cloud giants for Queen Nepsis of the Antediluvians. Now it is yours.

 

Queen:

It is very beautiful. Pity it cannot bring me love.

 

Phoebe:

Take heart, Majesty. Love will come for you someday. You will get what you deserve. Everyone does.

 

Queen:

You always know what to say, Phoebe. (Exit Queen)

 

Phoebe:

It is my duty and my charge, Your Majesty, to always say the right thing. Even when there is no right thing to say, I still say it. And who appreciates it? Only the Queen. No one else. (Exit Phoebe)

 

(Enter the King)

 

King:

I am tired of ruling. Perhaps I should give the city over to a regent and go upon a crusade against the goblins or the Eskimos.

 

(More Poetry)

 

The crown lies heavy on the head,

And chases sleep from out my bed,

The people, nobles– beggars too,

All count on me. You know it’s true,

And who have I to count upon?

None but those who grovel and faun,

On Myo’s arm I sometimes lean,

Though she has prove she’s quite mean,

For the Prince’s help I would be pleased,

But his tutors say he’s RPCed,

So I’m alone and feeling weary,

I order all eyes to be teary!

 

(The king lies down to sleep. Enter Penny, sneaking. She pours a potion on the king’s head.)

 

King:

(Waking) What is this? An assassin! (Grabs Penny) Guards!

 

Penny:

Alas, I am always being grabbed.

 

King:

You shall squeal.

 

Penny:

Like a stuck pig, Your Majesty.

 

King:

You will spill the beans.

 

Penny:

Like a rotten gunny-sack, Your Majesty.

 

King:

You will tell me your master’s name.

 

Penny:

Like a scared school girl!

 

(Enter the Queen, wearing the locket and Phoebe)

 

King:

(Seeing the Queen) Oh sweet angel. Oh blessed thing! Oh object of my desires! Where did you come from?

 

Queen:

Well, I’ve been here all the time.

 

King:

Was I so blind that I could not see such a goddess, such a creation, such a vision?

 

Queen:

Yes. Yes you were.

 

King:

Come with me. We will never be apart again.

 

(Exit King and Queen)

 

Phoebe: I must confess that I know not what to say. (To Penny) You had best come with me.

 

Penny:

Yes.

 

(Exit Phoebe and Penny. Enter Myolaena.)

 

Myolaena:

Here’s one of my pretty plots brought to ruin by wretched chance. Fear not. I have others. (Exits)

 

(Enter Waiting Women, who step forward and deliver their lines as a chorus.)

 

Waiting Women:

Our dreams have been answered: Hooray for the Queen,

We’re happier now than we’ve ever been,

No more will we have to mop up her tears,

We shall sit and enjoy her laughter for years.

 

The timing is perfect for this to come ‘bout,

The Prince is grown up and about to move out,

We are so happy for the Queen we do love,

And wish that all the world might find love.

 

Unfortunately we’re all mired in such bogs,

Life would be better if men weren’t such dogs.

 

(Enter David, Thomas, and Priss)

 

Priss:

Well, we’ve searched every cave and cavern in the countryside.

 

David:

I don’t understand why the dragon wasn’t there.

 

Priss:

Perhaps he flew south for the winter.

 

David:

Sir Drake never mentioned anything about that at the academy.

 

Priss:

Perhaps the dragon heard you were coming and was frightened away.

 

David:

That’s probably it! And what dragon wouldn’t be frightened to see us coming?

 

Priss:

(Steps forward to address the audience with his poem.)

Oh what fools these humans be,

And they have yet to watch TV,

I’ll be you gold coins to tomatoes,

They turn into old couch potatoes,

They dance like puppets on little strings,

When I feel the need to stretch my wings,

And when I feel the need to play,

Like tennis balls they mark the day,

There is one fair human maid,

In quest of whom some plans I’ve laid,

And she may soon be quite dismayed,

And that…

 

David:

(Steps forward and interrupts Priss with his own poem.)

The gods above have shined on me,

And shed their tears for they can see,

That among them, none’s my match,

And for women, I’m a catch.

I have the sharpest rapier wit,

Of knowledge, I have every bit,

Of beauty, there can be none better,

All women love but none can fetter,

I must be free to roam and venture,

Till I am old, and… um… and need a denture.

 

(Enter Myolaena)

 

Myolaena:

I would be happy. I would be merry. If they’d burn the rhyming dictionary!

 

Thomas:

What? Ho!

 

David:

Stop Sorceress! The king has ordered your arrest.

 

Myolaena:

Arrest me? How can a fuzzy kitten arrest me? You are a fuzzy kitten! (Waves her hands to cast a spell, but nothing happens.) What’s wrong? You are a fuzzy kitten!

 

David:

It’s no use Sorceress. My friend Priss has given me a charm to protect me from your spells.

 

(Enter the King)

 

King:

You have conspired against me, Myolaena. You must be punished.

 

Myolaena:

You can’t do anything to me. You need me. Who will protect you from the hordes of goblins and monsters? Who will enchant your armor, breed your winged horses, or transport your armies through the ether? You need me.

 

King:

Quite right, and besides the results of your plots have rendered me a certain service, in providing me with the most delightful creation of womanhood.

 

(Enter the Queen. She takes the King’s hand.)

 

King:

But you must be kept in check. I have decided you must be married. Your husband will become the object of your plots, and save the rest of us much trouble. You shall marry Sir David!

 

David:

Sire! I like this not!

 

Myolaena:

No! I’ll not be given over to that braggart. I’d turn myself into a toad first. I would rather marry that great fool, Sir Frontal Lobotomy (gestures at Thomas).

 

King:

Very well. Marry Sir Thomas.

 

Thomas:

Okay.

 

(Enter Britomart)

 

Britomart:

Hold! I claim this man by right of his conquest. No man has ever made me feel the way that he has.

 

Myolaena:

Supreme. Another melon-head heard from.

 

Britomart:

Can you imagine going through life with the thought that there may be no one for you to love? Can you imagine living such a terrible life?

 

Queen:

I understand your pain, Lady Knight.

 

Myolaena:

Oh, can we just get on with this?

 

King:

Very well. Sir Thomas will marry the lady warrior.

 

Thomas:

Roses are red,

Violets are blue,

I have a wife now,

Yup.

 

King:

We will have to find another husband for you, Sorceress.

 

Priss:

If it please your Majesty, I will have the wench.

 

King:

Fine. The wedding will be on the morrow. (Exit King, Queen, Knights)

 

Priss:

Come now my wife to be. I will show you whom your husband really is.

 

Myolaena:

I cannot marry just anyone. My husband must be of noble ancestry.

 

Priss:

My dear. I can trace my family back to the dinosaurs.

 

Myolaena:

What is it about you that I find strangely compelling? It’s as if I can refuse you nothing.

 

Priss:

Oh, how I have wanted you. I’ve laid plots and cast spells to bring all this about. I will show you arcane mysteries that you can only imagine.

 

Myolaena:

Oooh, keep talking that way.

 

The End.

His Robot Girlfriend: Charity

HRG CharityRobotics engineer Dakota Hawk has problems. His life is falling apart. And even he doesn’t know why he bought a used, and seemingly non-functional, Daffodil Nonne. When your life turns to crap, which should you worry about more– your past or your future? How easy is it really to remake yourself and start over? And will having your own robot girlfriend help or make things even more difficult?

His Robot Girlfriend: Charity is already garnering some great reviews.  Check it out now available wherever fine ebooks are sold for just 99 cents!

 

Eaglethorpe Buxton and the Sorceress

Eaglethorpe Buxton and the Sorceress tops 40,000 DownloadsChapter Twenty: Second Epilog, or Post-Epilog, or maybe Epi-epilog.

I did not get up with Ellwood Cyrene. Nor did I leave the taproom at that time. There were too many people who wanted to buy me a drink in exchange for one of my stories. I told the story of how I fought an entire goblin army to rescue an elven princess. I told the story of how I saved a poor farm girl from a werewolf with only a fork. And I told the story of the Queen of Aerithraine, in whose company I once had the pleasure of spending a fortnight. I told that story four times.

When I got to my room on the third floor of the Singing Siren, I was tired.   I was too tired to even light a lantern. Instead, I opened the shutters and let the moonlight stream into the room. I breathed in the night air as I sloughed off my jerkin and my breeches.

It was then that I noticed a light across the inn’s courtyard. In the other wing of the building, also on the third floor, someone had their window open—someone with a well-lit room. This had barely come to my attention, when a figure in that room stepped into my line of sight. It was Ellwood Cyrene. As I stood there, he started to disrobe, removing his jerkin and breeches just as I had done. I was about to close the shutters when I noticed that beneath his shirt, his entire torso was wrapped in a massive bandage. Naturally concerned, I wondered just what kind of horrible wound he had sustained that would require such a dressing.

Then he began to unwind it. I watch as he carefully removed the wrapping, and when I saw what lay beneath, I sat back, entirely missing the bed and landing on the hard wood floor. Ellwood Cyrene, my friend and companion through countless adventures, was a woman!

Tesla’s Stepdaughters – Newly revised, edited, and updated!

Tesla’s Stepdaughters has been updated with a number of typographical mistakes fixed.  This new 5th Anniversary Edition also includes the complete guide to the world and music of the Ladybugs.  If you have previously purchased this book, you should be able to download this new 5th Anniversary Edition free from the ebook store from which you purchased it.  If you haven’t yet experienced this bitchin’ rock’n’roll, sic-fi, steampunky, detective adventure, now is the time to do so.  It’s just 99 cents wherever fine ebooks are sold.
In an alternate 1975, where men are almost extinct due to germ warfare, someone is trying to kill history’s greatest rock & roll band. It falls to Science Police Agent John Andrews, only recently arrived from the distant male enclaves, to protect them. As the band continues their come-back tour across North America, Andrews must negotiate a complicated relationship with Ep!phanee, the band’s lead singer; drummer Ruth De Molay, bassist Steffie Sin, and the redheaded clone lead guitarist Penny Dreadful, as he protects them and tries to discover who wants to kill the Ladybugs.

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Eaglethorpe Buxton and the Sorceress

Eaglethorpe Buxton and the Sorceress tops 40,000 DownloadsChapter Nineteen: Epilog

The taproom of the Singing Siren, which is far nicer and has better ale by far than the taproom at the Reclining Dog, was filled with patrons and pipe smoke. I sat down after regaling the patrons with the first draft of my just completed adventures. There was more than a smattering of applause, but neither Myolaena Maetar nor Ellwood Cyrene who filled the other two chairs at my table, took part in the clapping. They both looked at me strangely.

“What?” I asked.

“I don’t think this story is as good as your others,” said Ellwood.

“And it’s full of lies,” said Myolaena.

“It doesn’t have much cohesion,” continued Ellwood. “It just kind of meanders around. It’s as if you took a dozen stories from someone else and tried to weave them together with your own life to make a story.”

“And it’s full of lies,” said Myolaena.

“I don’t know how you can say that… either one of you,” said I. “I think this might be my best tale ever, and note I did not say story, I said tale. The word story has an implication that it might not be truthful, whereas my story…”

“…is full of lies,” said Myolaena.

“Did I not meet you right here, just as I said?” I asked the sorceress.

“As if I could mistake you for one moment for anyone but Ethelred Buckleberry. And what is this about a toad? How could you say I turned you into a toad?”

“And what was all that about our strange conversation in your room?” asked Ellwood. “Are you trying to imply that I’m in love with you? That’s just crazy. If anything, you’re in love with me.”

“A frog is not a toad,” said Myolaena.

“I mean look at you,” said Ellwood. “You’re much older than me, and you’re getting a bit thick in the middle.”

“Toads are altogether different.”

“And your hair is going gray.”

“And I didn’t try to kill you,” said Myolaena. “Do you know how you can tell I didn’t try to kill you? You’re not dead, that’s how.”

“And what about this Megara Capillarie,” said Ellwood. “I’ve never heard of her.”

“I didn’t see her,” said Myolaena. “And she would have passed me as I was leaving and she was entering the house. Besides, I have lived here in Antriador for years and I’ve never heard of any family called the Capillaries.”

“Maybe you just missed her,” said I. “And maybe I had to change her name for legal reasons.”

“And maybe you kissed her,” said Ellwood.

“I did kiss her.”

“Did you? Or was it just part of the story?” He blinked as if fighting back tears. “Did you enjoy it?”

“Oh, enough of this.” Myolaena stood up, and swirling her wand around her head three times, she disappeared.

“There. You have to admit that part was complete fiction,” said Ellwood. “No one could give up the power of a sorceress, least of all that particular woman. She’s still got the magic.”

“Maybe,” I said. “Or maybe you’re not even here. Maybe I’m having this entire conversation in my head. In fact, next time I tell the story, it will be.”

“Good night Eaglehthorpe.” And with that, Ellwood got up and left the taproom.

His Robot Girlfriend: Charity Now Available!

Robotics engineer Dakota Hawk has problems. His life is falling apart. And even he doesn’t know why he bought a used, and seemingly non-functional, Daffodil Nonne. When your life turns to crap, which should you worry about more– your past or your future? How easy is it really to remake yourself and start over? And will having your own robot girlfriend help or make things even more difficult?

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Eaglethorpe Buxton and the Sorceress

Eaglethorpe Buxton and the Sorceress tops 40,000 DownloadsChapter Eighteen: Wherein I have my final confrontation with sorceress Myolaena Maetar.

“You can’t do anything to me. You need me. Who will protect you from the hordes of goblins and monsters? Who will enchant your armor, breed your winged horses, or transport your armies through the ether? You need me.”

The actress playing Myolaena, which is to say Myolaena herself, delivered her lines with feeling. It was as though she had lived through the situation before, which of course she had, and had spoken the lines before, which she hadn’t because I just made most of it up. It was poetic license. As she spoke her last line and exited stage left with the actor playing Priss the Dragon, there was a thunderous ovation. The actors were called out to make three bows. I waited patiently for someone to call “author, author” and when no one did, I began the call myself. Others nearby took up the call and soon, many around the theater were calling as well. I stood up and took my own bow from my seat.

Now I account myself brave, and I have faced many dangers that would have cowed another, weaker man. Still facing off with a sorceress, one who might well be the most powerful in the world, is akin to charging a dragon in his lair, and what man, even a brave man would not think twice before doing that? Myolaena Maetar had much to answer for though, so I headed to the stage and made my way back behind it.

Backstage, the actors were milling around with a few dozen theater fanatics and other hangers-on, but I did not see hide nor hair of the woman for whom I was looking. I asked and was directed to a dressing room with a star and a moon on the door.  I opened the door and quietly stepped inside. Myolaena Maetar was sitting in front of a great mirror removing her stage make-up. I was pleased to see that from the angle I entered I did not appear in the mirror. Slowly drawing my sword, I stealthily crept toward her. When I was only about four feet away, she suddenly raised her wand and I found myself frozen in place. My sword grew suddenly white hot and I dropped it clattering to the floorboards.

“You!” said Myolaena, turning to look at me with astonishment. “I was sure that I had killed you.”

“It was the disconsolateberries,” said I. “They are a natural proof against poison.”

“Huh. I just assumed that they would work like incarnadineberries, which enhance any poison in them.”

“You know what they say about assuming.”

“No, what?”

“Um, that it’s not good.”

“Well, my dear Buckethead. I am glad that you survived. I have decided that your play is not so bad after all.”

“Of course it isn’t,” I agreed. “It’s a fine play—a wonderful play. It is perhaps the greatest play ever written.”

“Whatever,” said she. “I have decided that playing a sorceress on stage is a far more enjoyable pastime than actually being a sorceress. I think acting really is in my blood. I’m going to take it up full time.”

“You’re going to give up being sorceress?”

“Sure, why not?”

“How could you… how could anyone give up all that power?”

“Oh, I admit that it frightens me a bit. Still, you know what they say—power corrupts. I’ve had so much power for such a long time. I used to be a nice person, you know. I don’t know if I could be again, but at least if I become an actor, people won’t expect me to be nice, at least not all at once and not all the time. I’m going to take my wand and bury it so deep in the ground that nobody will ever be able to find it, and I’m going to drop my spellbook into the deepest depths of the ocean.”

“Even so, I can’t let you go,” said I. “I can forgive you for trying to poison me, but you turned an innocent young actress into a tree and then she was cut down for firewood.”

“Angeletta Seedling is not so young or so innocent, and she is also not dead. She’s right down the street starring in “A Mighty Heart.”

“You didn’t change her to a tree?”

“Yes, I did. But I changed her back long before anyone could cut her down. The worst thing that happened to her was that a bird built a nest on her.”

“Oh. I guess all’s well that ends well.”

My Writing: Part Eight

Desperate Poems

I had written a thousand poems when I was in my teens. Over the years, I had sporadically written more poetry. I decided the time was right to publish them in ebook form. Of course I wouldn’t expect anyone to pay for my poetry, so it would be a free offering. I had already collected a pretty good cross section of my poems, so I just formatted it all together, and sent it out into cyberspace. I tried out about a thousand titles for the volume, before I finally settled on Desperate Poems.

Astrid Maxxim and the Antarctic Expedition

When I wrote Astrid Maxxim and her Undersea Dome, I had simply continued on at the end until I ran out of steam. When I stopped, I had the first four or five chapters of a third Astrid Maxxim book. The book would take Astrid to Antarctica. Then I went off and wrote Patience is a Virtue, taking the characters there to the Antarctic too.

When I finally got back to Astrid, I decided that I would include global warming as part of the plot. I already had an element from the first book that would tie into the South Pole. I needed some danger in the story, so I read up on some real life events concerning Antarctic wildlife and fictionalized them. I had written a much looser outline than usual, and when I was halfway through the book, I suddenly realized that my chapters were too long. I wanted some uniformity with the other books of the series. So, I went back and split chapters up, but I still ended up slightly off.

Astrid Maxxim and her Hypersonic Space Plane

I was really into the Astrid Maxxim mode when I finished writing Antarctic Expedition. In fact, I feel like I didn’t really hit my stride in that book until I was finishing it up. I immediately started on the next book. This is really the one in which the main character starts to grow up. She was already one part Tom Swift and one part Walt Disney. Now she started becoming a little bit Steve Jobs. She was becoming a genius with a bit of an edge.

Once again I hired Matthew Riggenback at Shaed Studios to do the covers and I had him design them for books three, four, and five. Just as I had before, I continued writing past the end of Astrid Maxxim and her Hypersonic Space Plane, creating the first few chapters of the next book before setting it down to do something else. So I don’t know when I’ll get to it, but Astrid Maxxim and the Electric Racecar Challenge awaits completion. In the meantime, I think that Astrid Maxxim and her Hypersonic Space Plane is the best in the series so far.

His Robot Wife: Charity

I have noticed (and others have as well) that I tend to write about similar things in different stories. I wrote two stories set in Antarctica, relatively close together. I had very similar conversations in The Drache Girl and Tesla’s Stepdaughters—different topics, but a similar format. I was working on a (as yet unpublished) story involving a cheating spouse. This was still on my mind when I came up with a plot for a new robot book. For the first time a robot story came to me in a sort of natural way, like other stories. For that reason, I think it’s the best of the four robot books.

Because of the plot, I needed entirely new characters for this story. I tied it in with the other books by placing it in the same setting and then I had some of the characters from the earlier books—Mike and Ryan—appear in this one as well. Ryan has gone from being a car salesman to a realtor. Finishing this book gave me several ideas for new books, each of which would need its own character set. This could be problematic, because I think readers expect to see Patience return. I would really like to do another Mike and Patience story too, but I’m not going to unless I have a real story to tell.

 

 

 

Eaglethorpe Buxton and the Sorceress

Eaglethorpe Buxton and the Sorceress tops 40,000 DownloadsChapter Seventeen: Wherein I deliver the young woman to her intended and hurry back to Antriador.

The bit with Cleveland Normandy and our swordfight was the only real adventure on the way to Oordport, with the exception that when we got there and found Miss Capillarie’s true love, he was enjoying the company of a young woman named Roxanne. I personally didn’t think this Roxanne was anything to write home about, but I suppose there is something to the old saying ‘a decent looking girl in the hand is worth a beautiful one in a faraway city’. I didn’t stick around to find out how things worked out with Megara and beautiful, sweet Henri, instead leaving just as she was beating him about the head and shoulders. I noted that Roxanne had wisely made a hasty retreat, no doubt unable to match Megara either in beauty or in fisticuffs.

I left Oordport, which is a lovely city only about a third the size of Antriador and is chiefly in the business of sheep, forthwith. That is, I left forthwith. Not that the sheep were forthwith, which doesn’t even make any sense, now that I think about it, so never mind. I stopped just outside the city wall at a little meadow to let Hysteria, who was still a bit upset, eat some clover and take a drink of water. I intended to ride her much harder on the way back than I had on the way there. While she was thus engaged, I took a pleasant nap beneath a tree. When I was well rested, having dreamed only manly dreams, and so was my noble steed, which is to say Hysteria, I set off once again.

I made good time, especially considering that most of the trip was taken in darkness. Lyrria is one of the few lands where a trip in darkness is easily made. The roads are paved with nice smooth stones and the wild beasts and robbers have for the most part been chased away. I arrived at the gate of Antriador less than twenty four hours later, and reached the playhouse just as the audience was filing in to their seats.

Mr. Burbage, a fine gentleman despite having been in his youth an actor, stood outside the playhouse door watching as the crowd filed in. If anything, there were more people here to see my work than there were on opening night and that gave me a warm feeling deep inside as I thought of my ten percent of gross ticket receipts.

“Mr. Burbage,” I said, as I tossed a coin to a stable boy to have Hysteria taken care of. “I heard about what happened to our lead actress. Have you put the understudy on in her place?”

Burbage rolled his eyes. “You know she’s not right for the part. She’s too dark and too tall.”

“What matters that?” I cried. “She knows the words! The words are the important part! The show must go on!”

“My dear Buxton,” said he. “Fret not. The show will go on. The show has gone on for more than a week since I saw you last. Fear not. I have hired an actress for the lead role, and she is perfect if I do say so myself.”

“I hope you are right,” said I.

“I am right. I believe that I am right, and more importantly the audiences believe that I am right. Attendance has been up every day since the unfortunate tree incident. That didn’t hurt either. You know there really is no such thing as bad publicity.”

“You know better than me,” said I. “And that is something I almost never say.”

I took the side door entrance into the theater and found a comfortable seat in the upper gallery so that I could watch it along with the throngs of my many fans. I didn’t have long to wait for the lights to dim and the curtain to rise revealing the stage decorated to resemble the streets of the great city of Illustria. The actors playing the parts of street venders wandered around on stage, among the citizens, singing their lines. Then came the first bit of excitement: Penny the thief cuts the purse of the apple vendor and leaves the stage. Then the new actress playing the lead part stepped on stage. She was tall and striking and moved just as a sorceress should move. She sauntered across the stage and delivered her lines.

“It’s a lovely day in Illustria, the jewel of Aerithtraine, nay the very jewel of all Celestria. The people are happy. The kingdom is prosperous. The king sits well upon his throne.”

Next, the actress playing Luna came onto the stage to deliver her soliloquy, wherein she spills her heart so the audience can feel her loneliness. The sorceress then casts a spell of love upon her and she leaves, giving the sorceress a chance for to give her own speech, setting up the plot of the play.

“There you see magic. But it is a small thing for me. I am Myolaena Maetar, the court magician—sorceress, thaumatageur, prestidigitator, diviner, seer, mystic– I am spellcaster, mage, conjurer, and necromancer. I am all that.

“I am she who keeps the kingdom running well. I am she who keeps King Justin on his throne. I bring prosperity and fair weather. I am all that.

“I can read minds! I can shape creations of matter and energy. I can brew potions of love or hate or death. I can let you fly through the air, or stew in your own juices. I can summon up the wise men of all the ages, or the most horrifying monsters. I am all that… and a bag of chips.

“I should be openly acknowledged as the mighty ruler I am. I should be Queen. But though I am not, I have cast my spells and laid my plots. I am like the spider in the center of a vast web. And I will devour my prey, after my own fashion.”

It was only as she delivered the final line “And I will devour my prey, after my own fashion,” that I realized whom I was watching. The actress playing Myolaena Maetar was none other than Myolaena Maetar herself.

My Writing: Part Seven

Astrid Maxxim and her Undersea Dome

After writing the first Astrid Maxxim book, I made a list of about twenty possible titles. Just like the Tom Swift books that had inspired them, each book would be Astrid Maxxim and her (Insert Invention Here). The second Tom Swift book was Tom Swift and his Submarine and number seven was Tom Swift and his Diving Seacopter—one of my favorites. So I wanted to do an undersea adventure. All of Astrid’s inventions grow out of the others, so the idea of an undersea dome fit perfectly.

I had hired Matthew Riggenback at Shaed Studios to design the first Astrid Maxxim cover and so I wanted him to do any others to maintain the feel of a series. I was even more jazzed about his second cover than I had been about the first, and that’s saying something. In the end, everything came together and I’m really proud of the books. I’ve given a lot of the Astrid Maxxim books away to students and other youngsters, and I offer the ebooks free to libraries.

His Robot Wife: Patience is a Virtue

Sales of His Robot Wife were starting to slow, even though it was still by far my best seller. I decided that I would write another book in the series. This time though, I would put more effort into it—make it a longer, better book. I wrote an outline and worked on it extensively before starting. About halfway into the book though, I had a change of heart about what I wanted to focus on. I decided that the book should reflect much more of Patience’s point of view than Mike’s. This ended up making His Robot Wife: Patience is a Virtue more difficult than it otherwise would have been. I think the book turned out pretty good though, and it is my second best selling book.

As a side note, I used the same model for the cover art of all three books, and purchased the rights to several other poses, for possible use in future books. This model is extremely popular in royalty free art, and I see her on bulletin boards, web sites, and once on a huge poster in front of the spa at Circus Circus hotel in Vegas.

The Sorceress and her Lovers

It had been two years since the publication of the last book in the Senta and the Steel Dragon series, but had actually been seven years since I wrote the previous volume. The plot had been setup in the original epilog of The Two Dragons, which I had cut from the book. I added a bit of conflict. The only completely new part of the story was the part dealing with the Lizard King Hsrandtuss. I had introduced him in The Young Sorceress, but hadn’t planned anything else for him. When I had written the outline for The Sorceress and her Lovers, I wrote the outline for the next book as well. I don’t know when I’ll get to write The Price of Magic, but I’ll get to it eventually

I really liked returning to the world of the Steel Dragon, however, things have changed so much and characters have grown up, so that it has a bit of an unreal quality to it for me. I don’t know if that comes across to the reader or not. In the end, it’s not my favorite book in the series, but I like it.