Motivations: The Voyage of the Minotaur

The Voyage of the MinotaurThe Voyage of the Minotaur was actually the second novel that I wrote– sort of. As I mentioned the other day, it was originally the first part of a very long novel– almost 400,00 words, about 850 pages. I was almost done with this book before I even had a working title, but settled on The Steel Dragon, and this of course later became Senta and the Steel Dragon. The three parts were originally called– Expedition, Colony, Dominion.

After the book was done and had gone through editing, I decided that it was just too big and had to be split into three parts. So part one became The Voyage of the Minotaur.

Several things influenced me to devise this story. A friend had encouraged me to self-publish Princess of Amathar, and the success of that book, minor though it was, encouraged me to write a second. Lord of the Rings had just come out and so I was already thinking of a three part fantasy story. I had also just read Stephen King’s Dark Tower series, and remembered his notes about it being his Lord of the Rings. Finally, I had recently watched James Michener’s Hawaii. Putting this all together with several non-fiction books I had recently read about colonial imperialism (particularly Britain in Africa), I came up with the story outline for Senta and the Steel Dragon.

I wanted a story that told about colonialism over a long period– in this case about ten years. I had thought about how badly native people were treated by the colonial powers and wondered just how much worse it would have been if those natives were an entirely different species. I already had a world map that I had created a few years earlier when I had toyed with the idea of writing a role-playing setting. All of this went into the mix. I also used the setting I had created twenty years before for a few fantasy vignettes I had written– the otherworldly place that people visit when they use the magic drug opthalium. Throwing all this into the mix, I just started writing. It took 14 months to write the drafts for what became three books.

Motivations: Brechalon

BrechalonBy the end of 2009, I had already decided that I was going to publish The Voyage of the Minotaur myself. I had three fairly popular free books out there– His Robot Girlfriend, and the two Eaglethorpe Buxton stories. So I thought, what I really need is a prequel to distribute free that will drive interest for The Voyage of the Minotaur and subsequent books.

Brechalon was a difficult task, because I was trying to set up what would happen in a year or two before the action really starts. Two of my main characters were at this point fairly uninteresting children and a third was in prison. I decided to focus on the others, so I had the Iolanthe-Terrence-Yuah story line, the Iolanthe-Zeah story line and the Augie story line. In addition I followed Zurfina into the prison. Those decisions brought out a couple of other weaknesses. The most interesting thing about Terrence is his drug addiction, but I couldn’t show too much of it without giving it away, and the most interesting thing about Zurfina is her magic, and she was in an anti-magic prison cell. In the end, I was pretty happy with the story, though I don’t think it does much more than hint at what really is to come in The Voyage of the Minotaur.

One of the big inspirations for Augie’s part of the story, as well as the battle scenes in The Voyage of the Minotaur was the movie Zulu starring Michael Caine and Stanley Baker.  I think Augie and Terrence probably owe a lot to the characters in the movie (loosely based on real military heroes.)

Of course, it hasn’t been nearly as popular, even given it’s free, as His Robot Wife or Eaglethorpe, but I have had more than one person tell me they’ve read The Voyage of the Minotaur because they first read Brechalon, so it is serving its purpose.

I really like the new cover.  I designed the covers for the series myself, so I take all the blame or credit such as there is.