Motivations: The Two Dragons

The Two DragonsThe Two Dragons was originally the final third of the massive story that I had decided to call The Steel Dragon.  When I turned it into a series instead, The Two Dragons sat for a long time waiting.  When I finally had finished and published all the other five books, I looked at the manuscript again.  The story still worked, but there needed to be significant changes in the ending.

Senta had picked up a dragon egg in book 4 that I hadn’t originally counted on.  I added that.  The original manuscript had a very long epilog that detailed everything that happened to all the characters.  Since it was going to be a series, I had to take that off.  In its place I needed an ending.  I had written a little bit about Senta arriving in Brechalon (originally thinking that this would be many years later), so I added it.  As it turned out, it tied in well with The Sorceress and her Lovers.

By the way, I am still following the information about the characters in the original epilog.

Motivations: The Young Sorceress

The Young SorceressWhen I had finished the manuscript that became The Voyage of the Minotaur, The Drache Girl, and The Two Dragons, and decided to make it a series, I had to write two new books to fill the spaces in between.  The Dark and Forbidding Land was the first of those, and I think it is a very good addition to the series.  The Young Sorceress would be the second, fitting between The Drache Girl and The Two Dragons.

I had a story that I thought would work well and would be different than anything else in the series.  In the previous four books, I had followed a different character each chapter, with a few rare instances when I jump from one character to another in the same chapter.  In Brechalon though, I had jumped from character to character many times each chapter.  I decided to follow this format.  I think it works well for the story.

I haven’t gotten a lot of feedback on this particular book, so I don’t know what readers think about it as opposed to the other books.  I just read the first review I’ve ever seen for it, and it was pretty positive.  I remember that when I finished the book, I wasn’t really thrilled with it.  Reading it later though, I decided that I liked this one.  That happens to me a lot.

Motivations: Astrid Maxxim and her Amazing Hoverbike

One day I was standing in my living room looking at the row of yellow spines on my collection of Tom Swift Jr. books.

In the summer of 1969, I discovered Tom Swift Jr. among the possessions of my Uncle George, who had died the year before in Viet Nam. I started reading them and was hooked. I was hooked on Tom Swift, on science fiction, and on reading.

My first book, Princess of Amathar had been an homage to the Edgar Rice Burroughs books I had loved in my teens.  So that day, looking at Tom Swift, I thought, “that’s the type of book I should write next.” I wanted to capture the same feeling of excitement and innocence that I found when I read Tom Swift Jr., but I wanted to update the stories and make them my own. I sat down and created the setting and the characters, and made a list of inventions that stories could be built around.

There were two things that I always had trouble with, as a reader of Tom Swift. First, time never passed. Tom was always 18. The second, his inventions never seemed to change the world, no matter how innovative and revolutionary they were. I decided that Astrid’s inventions would change the world and she would age as the series progressed.  So far I’ve written five Astrid Maxxim books and have outlines for two more and ideas for two more after that.  I’d like to write at least one per year.

Motivations: Blood Trade

Blood TradeI never really wanted to write a vampire book and I’m not a fan of Twilight (I read the first book and thought it was okay, but didn’t love it.) Urban fantasy really isn’t my cup of tea either. But my writers’ group used to meet in Borders and they would seat us right between two massive shelves of vampire books. We would always joke with each other that we should all be writing one. I always commented that my vampires wouldn’t be lovers. They would be the bad guys. I did finally relent and have a slightly good vampire, but she wasn’t really that good.

I started writing Blood Trade and got to the third chapter, when it took a really dark turn. I was describing not the Vegas that I knew, but one that was in rapid decay as the forces of darkness took over. I liked it. So I went back and rewrote the first two chapters and the whole book got much darker.

I had originally planned my heroine Xochitl to be a goth girl, but as with the rest of the story, her background and character got MUCH darker. I have to say, I really like how the story came out, but it is DARK.  Incidentally, the area that I describe where the detective agency was, looked just like real in Vegas, but about a year ago, they bulldozed that whole area for redevelopment.  The manhole where Xochitl dumps the bodies is right where I said it was, but now it’s just outside the very busy entrance of a big hotel casino.

I actually have the first two chapters of a sequel already written.  I will say this though, the sequel to Blood Trade (assuming I ever finish it) will be even darker than the first one.   I love the two chapters I’ve done.  I hope I can get around to the rest of it.

Motivations: Women of Power

Women of Power NewI got the idea for Women of Power from Feedbooks.com. Feedbooks was one of the early sites to get great ebook downloads (though I think it has suffered a bit since they went commercial). One of the great things among their original books back in 2009 (that lately seem to be all erotica) were fan-fiction commics– mini books with comic book covers that were prose inside. They were mostly based on DC characters like Batman and The Teen Titans. I decided to try my hand at writing one of those.

There was a whole club and web organization which assigned which books each writer was working on. That seemed like a whole lot of trouble to me. Plus I just like to go with my own characters, so that’s what I did. I made up All American Girl and Skygirl and patterned their descriptions after some cover art I purchased for the “comics.” I wrote and posted the first two “issues,” but by the time I had finished “issue” (read chapter) three. I decided that I wanted to make it a full novella. I set it aside and didn’t get back to it for two years.

On a side note, my son and I plotted a sequel to Women of Power, with some ideas that I just love. Unfortunately, I lost my outline for it.  I could probably recreate it, if I decide that it warrants a sequel.  I have so many other ideas that I’m working on, I may not get to it till I’m 85.

Motivations: The Drache Girl

The Drache GirlThe Drache Girl was originally the second part of the three part novel I wrote in 2007-2008. While I was writing it, it was known as “Colony.” It takes place a little over three years after the events in what became The Voyage of the Minotaur. When I was done, I decided to call it The Sorceress’s Apprentice, but ultimately changed that title to the current one. I don’t know if that was the best decision or not. I wanted to be more original, but the other might have caught more readers’ eyes.

As I mentioned before, this book was inspired by Lord of the Rings, Stephen King’s Dark Tower series, James Michener’s Hawaii, and the movie Zulu. The idea was to create a fantasy world mirroring British colonial imperialism. This part of the story also owes something to British TV series “Hamish MacBeth,” which inspired much of the character of PC Saba Colbshallow, though he had always been planned to have been a copper.

I enjoyed writing The Drache Girl probably more than any other book I’ve written. I really enjoyed the characters at this point in the story– especially Senta and her friends and Saba Colbshallow. It ended up taking me a looong time to publish because I decided ultimately that there needed to be another book between The Voyage of the Minotaur and The Drache Girl: The Dark and Forbidding Land.

Motivations: His Robot Wife

His Robot WifeHis Robot Wife was written for entirely different reasons than any other book I’ve written. All the other books were written because I thought I had a great story to tell and I wanted to tell it. You could say that I wrote His Robot Wife for money, though that’s not entirely accurate. I priced it an 99 cents even though I could have made more by pricing it higher. I wrote it because I knew it would sell.  My other books were just sitting on the virtual ebook shelves, and I needed a little validation.

I publish His Robot Girlfriend in 2008, and it has been downloaded hundreds of thousands of times. Many people wrote and asked for a sequel. This was a big deal for me. But I didn’t have a story. As far as I was concerned, the story of Mike and Patience was over. Still, people kept asking. It took me three years to come up with a story for them, and I think it’s probably one of my weakest plots (but HRG wasn’t popular for its plot, but rather its characters anyway). So in 2011 I wrote His Robot Wife. It is short, at 28,000 words, but it went easily enough, and it has sold almost 10,000 copies.

Patience continues to be very popular, so much that I got a lot of complaints when His Robot Girlfriend: Charity came out, because she isn’t in it.  I thought the title pretty much gave that away.  Anyway, more Patience and Mike are one the way.

 

Motivations: The Dark and Forbidding Land

The Dark and Forbidding LandThe Dark and Forbidding Land was the first of two books that I squeezed between the events that happened in the original outline of Senta and the Steel Dragon, the other being The Young Sorceress. I enjoyed writing TDAFL and I think it works well. Part of that was because writing about Senta as a pre-teen was my favorite part of writing the entire series.

One of the challenges of writing this book was not to top the events in The Drache Girl. I didn’t want Senta aged 10 to be more powerful and experienced than Senta aged 12. Remember Star Wars, where we watch R2-D2 trudge around in the desert in episode 4, only to find out in episode 1, that he could fly.

The other challenge that I had was that I knew there were going to be characters who were going to die, based on my single book outline. But I was limited in which characters I could kill, because some of them appeared in The Drache Girl and The Two Dragons which were already written. So I sat down and created a whole pack of characters who, unbeknownst to them, were doomed. The down side of this was that I ended up liking several of them and was sorry to see them go. Not all of them ended up dying. So, there are a couple of characters who appear only in books 2 and 4.

I haven’t read The Dark and Forbidding Land in a while, so I have to go back and take a look. My son though, tells me it is his favorite book in the series. When I created the new book covers for the series, book 2 just had to have a T-Rex on it.  I had a choice of one with a red head, as described in the book or one that looked more realistic.  I had to go realistic.

Motivations: Tesla’s Stepdaughters

Tesla's StepdaughtersThe idea for Tesla’s Stepdaughters came while I was playing Rock Band 2. I was playing it a lot over the summer in 2009. As part of the game, you create your band, and the band I created became The Ladybugs. The original band name was actually Tesla’s Stepdaughters, but when I got around to writing the story, it just seemed to make more sense that the band standing in historically for The Beatles would have a similar name.

I am really pleased with Tesla’s Stepdaughters. I think I was successful in creating a setting for the story, without delving too deeply into it. I’m really happy with my mystery. I never really thought I would be able to write a mystery story, and while some might point out that the mystery is the weakest part of the story (and I wouldn’t argue that), for me, I’m pretty pleased.

Recently, Tesla’s Stepdaughters has been getting more and more interest.  It continues to slowly climb in sales and is the best selling of any of my single (non-series) books.

Motivations: Brechalon

BrechalonBy the end of 2009, I had already decided that I was going to publish The Voyage of the Minotaur myself. I had three fairly popular free books out there– His Robot Girlfriend, and the two Eaglethorpe Buxton stories. So I thought, what I really need is a prequel to distribute free that will drive interest for The Voyage of the Minotaur and subsequent books.

Brechalon was a difficult task, because I was trying to set up what would happen in a year or two before the action really starts. Two of my main characters were at this point fairly uninteresting children and a third was in prison. I decided to focus on the others, so I had the Iolanthe-Terrence-Yuah story line, the Iolanthe-Zeah story line and the Augie story line. In addition I followed Zurfina into the prison. Those decisions brought out a couple of other weaknesses. The most interesting thing about Terrence is his drug addiction, but I couldn’t show too much of it without giving it away, and the most interesting thing about Zurfina is her magic, and she was in an anti-magic prison cell. In the end, I was pretty happy with the story, though I don’t think it does much more than hint at what really is to come in The Voyage of the Minotaur.

One of the big inspirations for Augie’s part of the story, as well as the battle scenes in The Voyage of the Minotaur was the movie Zulu starring Michael Caine and Stanley Baker.  I think Augie and Terrence probably owe a lot to the characters in the movie (loosely based on real military heroes.)

Of course, it hasn’t been nearly as popular, even given it’s free, as His Robot Wife or Eaglethorpe, but I have had more than one person tell me they’ve read The Voyage of the Minotaur because they first read Brechalon, so it is serving its purpose.

I really like the new cover.  I designed the covers for the series myself, so I take all the blame or credit such as there is.