The Young Sorceress Characters: Hertzal Hertling

Hertzal Hertling is one of the characters in Senta and the Steel Dragon.  He and his two sisters arrived in Birmisia from Freedonia in book 1, victims of the anti-Zaeri racism in their homeland.

Hertzal and his twin sister Hero are two of Senta’s best friends, despite the fact that Hertzal has not spoken since he arrived in the new land.  I don’t know why I chose mutism for Hertzal (except that all the characters in the story are broken in some way), but it just grew to be a real part of the story.

In The Young Sorceress, Hertzal gets a bit of alone time with Senta, leading me to discover just how hard it is to write a conversation between two people when one can’t speak.  That being said, Hero and Hertzal, and their older sister Honor, are some of my personal favorites.

The Young Sorceress Characters: Cissy

One of my favorite characters in Senta and the Steel Dragon is the reptilian maid Cissy.  In my original trilogy, which became books 1, 3, & 5, she has an important role to play, but we don’t really get to know her.  Her part in those books didn’t change really when I expanded the series.  I just wrote more about her, particularly in The Dark and Forbidding Land, where we get to see a good portion of the story from her eyes.  We see her make a brief appearance in book 0 as well.  In book 4, she shares her part of the story with Yuah.  I couldn’t decide which of them would be the primary story-teller here.  I wanted to write more from Cissy’s eyes, but there were parts of the story that only Yuah could tell.  Hence, splitting the part up for the both of them.

Incidently, we have a large and beautiful iguana that we adopted about 4 years ago who was named for the character Cissy.  Sometimes I even call her Ssissiatok.  She, like the Cissy in the book, is a friendly reptile.

The Young Sorceress Characters: The Kids

In the latter half of the series of Senta and the Steel Dragon, there are three children in the Dechantagne household.  Augie and Terra Dechantagne and Iolana Staff.

Iolana and Augie make their appearance in book 3 as toddler and baby, and they are a bit older here.  This books marks the first appearance for Terra.

All three have larger parts in book 5, though they are still small.  All three play a large part in what happens after the series ends, so if I get around to writing the next series (which I’m already plotting out) you will see them again.

The Young Sorceress Characters: Yuah

When you write a story, you have to have a story arc for your characters.  They have to have obstacles to overcome (or not) or you don’t really have a story.  To paraphrase Joss Whedon, starting out heroic, getting more heroic, end ending up even more heroic, is not a story arc.

One of the problems with writing is, you create characters you love and then you have to do things to them.  Yuah Korlann-Dechantagne is one of my favorite characters in Senta and the Steel Dragon, but she is one who has the toughest road to follow, and in this volume, she is at her most trying point.

The whole Terrence-Yuah story is about addiction, whether it is to drugs or some other behavior, and how it can destroy (multiple) lives.  Yuah’s obsession with Terrence and his multiple problems almost destroy her, and that’s really her part in this story.  Originally as plotted, there was more to her part of the story, but I found myself simply unable to write it, and ended up cutting quite a bit out, including the death of another character.

“Why are you here?” Pantagria repeated.

“I’m here because I’m ‘seeing’.”

“Then that brings us to an entirely different question.  Why are you seeing?”

“I don’t know.”

“You didn’t want Pantagruel.”

Yuah shivered at the memory.

“Who would want that monster?”

“He is what many women want.  He is who they come to see when they use the ‘see spice’.”

“How could anyone want that monster?”

“He is what your mind makes him.  In fact, he is a perfect reflection of what your mind makes him.  You see a monster.  Another woman sees a prince—a perfect prince.  But you didn’t come seeking perfection, did you?  You don’t even want perfection.  If you wanted perfection, you would have never wanted our Terrence, would you?”

“Don’t speak of him!”  Yuah’s hand became a claw with which she threatened to lash out.  “Don’t you dare say his name!”

 “I loved Terrence,” Pantagria hissed, her eyes taking an evil gleam.  “Forty thousand dressing maids with all their quantity of love could not equal my sum!”

“I am not a dressing maid.  I am Mrs. Terrence Lucius Virgil Dechantagne!  And you… You’re nothing!  Nothing!  You’re not even real!”  Yuah burst into a fit of tears.

Pantagria laughed in her face.

“You little fool.  He didn’t love you any more than he loved me.”

“You’re evil!” wailed Yuah.  “Why did you have to have him?  Why did you have to ruin him?  Why did you have to steal him away from me?”

“I didn’t go looking for him.  I couldn’t even if I wanted to.  He came to me.  He came to me just the way you have.”  Pantagria slowly circled the other woman.  “He came to me because he wanted something perfect.  It’s why all men come to me.  And it’s why women come to Pantagruel.  But not you.”  She stopped in front of Yuah.  “You don’t want either of us.  You don’t want something perfect.”

Yuah dropped her hands to her sides and sobbed uncontrollably.

“So, what do you want?”

“I don’t want… anything.”

“Then you have picked a particularly horrible way to commit suicide.”

The Young Sorceress Characters: Isaak Wissinger

Isaak Wissinger was one of the main reasons I wanted to write The Young Sorceress.  I had already written The Two Dragons, in which Wissinger is a minor character.  When I was thinking up characters, I created a background for him that I really liked.  It just seemed like a shame not to write that backstory into a book.

Wissinger also gave me a chance to set part of the story in Freedonia.  Freedonia was my stand in for Germany (something of a cross between WWI under the Kaiser and WWII under the Nazis).  I got the name from the Marx Brothers’ Duck Soup, though my country bears little resemblance to the one in the movie.

Wissinger is a writer and so he has some of my own traits.  He is a member of the Zaeri minority in Freedonia and therefore ends up in the ghetto.  He escapes with the help of Zurfina (herself a Zaeri) who has a fetish for creative types.

Isaak Wissinger sprang suddenly from his cot, motivated by a particularly enthusiastic bedbug.  He was immediately sorry, as the pain in his back was exacerbated by the sudden movement.  He looked back down at the vermin filled, inch thick mattress, a few pieces of straw sticking out of a hole in the side, sitting on an ancient metal frame.  It was a sleeping place not fit for a dog.  Then he laughed ruefully.  That was exactly how he and every other Zaeri was thought of here—as dogs.

The Kingdom of Freedonia, like the rest of the civilized world was divided in two.  There were the Kafirites, who ruled the world.  And there were the Zaeri, who had long ago ruled it.  Two thousand years ago, Zur had been a great kingdom, one which along with Argrathia, Ballar, and Donnata ruled the classical world.  Then a single dynasty of kings, culminating in Magnus the Great, had conquered the rest of the known world, and made Zur civilization the dominant culture.   Zaeri, the Zur religion, with its belief in one god, had replaced the pagan religions of the civilizations that Magnus and his forebears had conquered.  Even when Magnus’s empire had splintered into many successor kingdoms, the Zaeri religion had remained dominant.

Then a generation later, a Zaeri imam named Kafira had begun teaching a strange variation of the religion in Xygia.  Kafira had taught the importance of the afterlife, an adherence to a code of conduct that would lead one to this afterlife, and a general disregard for the affairs of the world.  Her enemies had destroyed her, but in so doing they had made her a martyr.  From martyr, she rose swiftly to savior and then to godhead of a new religion, one that had spread quickly to engulf all that had been the Zur civilization.  In the following millennia, the Kafirites had converted the remaining pagans to the creed of their holy savior, thereby making it the only religion in the world of man—the only religion in the world of man save those who held onto the ancient Zaeri belief.

Now here in Freedonia it was no longer safe to be a Zaeri.  First it had become illegal for Zaeri to be doctors or lawyers, then actors or publishers.  Then laws had been passed which made it illegal for Zaeri to own businesses or property.  Finally entire neighborhoods became forbidden to Wissinger’s people and they had been pushed into ghettos, segregated from the other Freedonians.

Wissinger spent the day picking up garbage on the street.  That was his job here in the ghetto.  He had been an award winning writer when he had lived in Kasselburg, but here in Zurelendsviertel he walked the street, a silver zed pinned to his jacket, picking up refuse.  At least people didn’t treat him like a garbage man.  The other Zaeri knew him and respected him.  They asked his opinion about things.  They called him “professor” when they spoke to him.  It was not like that at all with the Freedonian soldiers who occasionally made a sweep through the ghetto.  They would as soon kick an award winning writer to the side of the road as they would a street sweeper.

Back once again in his room, he pulled his tablet and pencil from its hiding place behind a loose board and continued writing where he had left off the day before.  He could not live without writing.  He wrote down what had happened that day, what he had seen, what he had heard.  He wrote about the death of Mrs. Finaman, brought on no doubt by lack of nutrition, and he wrote about her husband’s grief at the loss of his wife and his unborn child.  He wrote about the sudden disappearance of Mr. and Mrs. Kortoon, and the speculation that they paid their way out of the ghetto.  And he wrote about the disappearance of the Macabeus family, and the speculation that something sinister had happened to them.

That night on his uncomfortable cot, Wissinger had a wonderful dream.  He dreamed that a beautiful woman was making love to him.  She licked his neck as she rubbed her naked body against his.  She whispered to him in some foreign language—he thought it was Brech.  When he managed to pull himself out of the fog of sleep, and he realized that it wasn’t a dream, that the woman was really here with him, he tried to push her off of him.

“Don’t stop now lover,” she said, a noticeably Brech accent to her Freedonian.  “I’m just starting to really enjoy myself.”

Wissinger pushed again, and slid his body out from under her, falling to the floor in the process.  She stretched out, lying on her stomach.  He stared at her open-mouthed.  Her long blond hair didn’t quite cover a fourteen inch crescent moon tattoo at the top of her back.  Another tattoo, an eight inch flaming sun sat just above her voluptuous bottom. 

“Who are you?  What are you doing here?”

“I would have thought that was obvious,” she replied in a sultry voice.  “I’m here to warn you.”

“You… uh, what?”

“I’m here to warn you.”

She rolled over and stood up, revealing six star tattoos all over her front.

The Young Sorceress Characters: Saba Colbshallow

Saba Colbshallow wasn’t going to be a major character when I originally outlined Senta and the Steel Dragon.  Most of his part was going to be another character.  Originally, he was a minor character, who was there to step and fetch, son of the cook.

When I got to writing The Drache Girl, I just decided to use him rather than the character I had originally intended.  That he became a police constable in that book was largely due to the fact that I was watching the British TV show Hamish MacBeth at the time.

Saba’s big parts are in book 3 and book 5, so for book 4: The Young Sorceress, he appears in his role as a moon orbiting around Senta’s planet.  He almost comes to be an antagonist for her, and I struggled a bit to make sure that didn’t happen.  If they had come at odds with each other too much, it would have adversely affected my plot for book 5.

The Young Sorceress Characters: Senta

Time to get back to looking at characters, this time from The Young Sorceress.  I won’t be giving any spoilers… that is, if you have read the previous three books (and probably book 0).  If you haven’t read any of them, then spoiler alert.

Senta, the main character in the series, is the first to appear in this book.  I wanted to let the reader know right away that Senta wasn’t the same as she was two years earlier in The Drache Girl.  She’s much more powerful and has a much more complicated relationship with those around her.  We see right from the start that things are not going well with her boyfriend Graham or her mentor/guardian Zurfina.  In addition, her somewhat more than friends relationship with Saba Colbshallow is troubling because since the last book, he has gotten married.

Senta faces challenges in this book that she hasn’t faced before and is different than the tension that happens in the next book as well.  When I get to talking about her in The Two Dragons, I’ll explain that a bit more.

 

The Young Sorceress and The Two Dragons Now at Sony & iBooks

Well, it’s taken a while, but The Young Sorceress and The Two Dragons have finally found their way into the Sony ebook Store.  You can find a link to all my books for the Sony Reader here.

In a related event, The Two Dragons has finally arrived at Apple’s iBook Store.  You can find a link to it here.  I am especially happy about this because Apple has been my single biggest retailer for most of my books, and especially for Senta and the Steel Dragon.

If you are a Sony Reader reader 🙂 and you were waiting to complete your series, now you can.  And thanks to all of you who purchased my books.

Motivations: The Young Sorceress

The Young Sorceress was the last part of the Senta and the Steel Dragon series that I wrote.  As I had mentioned before, the series was originally three books, that became books 1, 3, and 5.  I decided to split them up and I decided that I would add two books to fill in the space between.  If I had to do it again, I would have not tried to add these two books, although I think The Dark and Forbidding Land came out quite well.

The idea behind The Young Sorceress was to take Senta from the happy pre-teen that she is in The Drache Girl to the sorceress that everyone fears in The Two Dragons.  I also experimented with the idea of multiple characters across each chapter– something I did in Brechalon.  I’ve decided I don’t really like that format much.  This book originally had a much larger scope when I outlined it, but I became so weary with writing in this world that unnecessary parts started dropping off, until I had a relatively short book.  On the plus side, this is one of my favorite covers.

The Young Sorceress – Chapter 14 Excerpt

Augie Dechantagne came running through the parlor and like a freight train.  “Mama!  Mama!  I shot a velociraptor!”  He dived toward the couch, landing not on his mother, but instead in the lap of Cissy who sat next to her.

“You did what?”

“I shot a velociraptor!”

Yuah’s eyes shot daggers at the boy’s uncle, who followed him into the room, and who was in turn followed by a lizzie burdened with at least six assorted rifles and another with several large canvas bags slung over his shoulder.  “He’s not even three years old.”

“Don’t get yourself worked up,” said Radley Staff.  “I didn’t give him the weapon.  I simply let him look through the sights and pull the trigger while I held it.”

“Quite appropriate,” said Iolanthe from her seat across the room, her eyes glued to the paper in her hand.  “”A Dechantagne man must be proficient in firearms.”

“You should have seen the blood shoot out!” continued the boy.  “How many did we get again, Uncle?”

“Only four,” said Staff, who then turned to the lizzies.  “Put the gear away in my den.”

“I hope you at least made sure the guns were unloaded in the house,” said Yuah.

“I certainly hope you didn’t.”  Iolanthe at last looked away from her paper.  “What’s the point in having rifles if they aren’t ready to be used?”

“Yuah is right,” said Staff.  “Safety first.  But the best way to be safe is to ensure the children have a good working knowledge of firearms and know when and when not to touch them.”

“Ready for a nap?” Cissy asked the boy.  “Sister is already asleep.”

“I’m hungry,” said the boy.  “Can I get a biscuit?”

“Go get one from the kitchen,” ordered his mother.  Then she stood up.  “I certainly can use a nap.  I shall see you all at tea.”

Making her way up the long sweeping staircase, Yuah snapped her fingers at Narsa, who followed her into her bedroom and helped her remove her day dress and then unfasten her corset.  Waving for the lizzie to go, she unfastened her own hip bag and draped it over the chair, before stretching out on the bed.

“What are you still doing here?” she called, seeing the lizzie out of the corner of her eye.  “Oh, it’s you again.”

It wasn’t Narsa hovering just outside Yuah’s bedroom door, but Cissy.  She seemed to be making a habit of hovering outside doors.

“What do you want?  I’m not doing anything.”

“I whatch you,” said Cissy.

“Yes, yes,” replied Yuah.  “Go ahead and ‘whatch’ me.”